While the Rolling Stones or the Who can be counted on to play their greatest hits, Dylan shows are always a wild card. And he’s been on the road ever since.ĭylan’s live shows are also in sharp contrast to those of his peers. His performances now became his primary creative outlet. That next year, 1988, Dylan started what became known as the “Never Ending Tour.” If creating new songs was proving fruitless in the studio, Dylan was now going to remold and remake his older songs onstage. Although the tour was a critical disappointment, a seed was planted in Dylan’s head. It seems that the Dead’s commitment to the road, their willingness to perform night after night, and their flexibility to include a wide range of songs in their concerts impressed Dylan. However, something happened on that tour with the Dead. Throughout the ’80s, Dylan released a series of uninspired albums, and critics insisted that his star had finally burned out. When Dylan toured with the Grateful Dead in 1987, his career was at its creative low point. In many respects, however, this might be Dylan repaying an old debt. The main reason is that Phil Lesh and Friends is a much weaker attraction than Dylan’s touring partners of late (Paul Simon, Van Morrison and Joni Mitchell). At a recent joint show in Minneapolis’ Target Center, Dylan proved that he’s still a stunning live act, while Lesh proved that he still has something to learn.įrom the start, some critics have questioned the reasoning behind the pairing of Lesh and Dylan as co-headliners of a cross-country tour.
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